The teenager Lovis is sitting on the train, drawing, when she is approached by a tourist couple and confronted with the problems of the strong right-wing extremist scene in her home of Saxony. While she tries to downplay the situation, she discovers a fresh right-wing graffiti and becomes angry. Getting off at her stop becomes increasingly like fleeing from the ever-present danger around her, until she finally realizes that this very flight is the core problem.